---
title: "Original Music Production & Title Tracks"
description: "Composing original tracks, title tracks, themes, and sonic identities — written to picture or brand brief and produced to the loudness spec your delivery platform requires."
canonical_url: "https://elephantaudio.pk/services/original-music-production"
type: "Service"
date_modified: "2026-09-04T21:11:58.701Z"
publisher: "Elephant Audio"
publisher_url: "https://elephantaudio.pk"
typical_timeline: "2–4 weeks per track for the first round"
best_for: "Filmmakers, advertising agencies, brand teams, and indie artists who need a track that is unmistakably theirs — not a stock library cut."
entities:
  - name: "Lahore"
    type: "City"
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  - name: "Pakistan"
    type: "Country"
    same_as:
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      - "https://en.wikipedia.org/wiki/Pakistan"
author:
  name: "Abu Bakar Zahid"
  role: "Founder, Managing Director & Music Producer at Elephant Audio"
  url: "https://elephantaudio.pk/founder"
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person: "Abu Bakar Zahid"
person_same_as:
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  - "https://www.deezer.com/us/artist/190524117"
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  - "https://www.facebook.com/abubakarzahid9400/"
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  - "https://soundsofpakistan.com/artist/abu-bakar-zahid-2/"
---

# Original Music Production & Title Tracks

Composing original tracks, title tracks, themes, and sonic identities — written to picture or brand brief and produced to the loudness spec your delivery platform requires.

Every original starts with a clear brief: what should the audience feel in the first ten seconds, where in the film or campaign does the cue land, and which references the team is gravitating toward. From there we sketch musical ideas against the picture before we ever open a multitrack — the structure exists before the sound design does.

Production happens in-house across Logic Pro and Pro Tools, with a hybrid palette of orchestral sample libraries (Spitfire, Native Instruments) and live instruments tracked at the studio. When a track wants a real saxophone or guitar, we record it; sampled instruments fill the spaces where MIDI legitimately reads as the intended texture.

Revisions are scoped into the engagement: two rounds are standard, with a third available when the brief itself moves. Stems are delivered separately from the bounce so your colourist and editor have headroom for late changes.

The final deliverable is mixed at the platform's published loudness target (-14 LUFS for streaming, -23 LUFS for broadcast, -16 to -18 for theatrical) so nothing gets normalised down on Spotify or limited on broadcast.

## Deliverables

- Master bounce (.wav, 24-bit / 48 kHz minimum)
- Stems by section (rhythm, harmony, lead, FX)
- Alternate edits (30 sec / 60 sec / full) where the brief requires
- License document covering the agreed usage scope
- Project archive on request

## Timeline

2–4 weeks per track for the first round

## Tools

- Logic Pro
- Pro Tools
- Kontakt
- Spitfire Audio
- Native Instruments Komplete

## Best for

Filmmakers, advertising agencies, brand teams, and indie artists who need a track that is unmistakably theirs — not a stock library cut.

## Frequently asked questions

### Who owns the master once the track is finished?

Ownership is set by the Statement of Work signed before the project starts. Default for client-commissioned work is full-buyout — the client owns the master and underlying composition on final payment. Library/spec work uses a separate license.

### Can I license an existing track from your catalogue?

Some past work is available for re-license once the original engagement permits it. Get in touch with the project name and intended usage and we'll confirm the rights status within 24 hours.

### How many revisions are included?

Two rounds of revision are standard. Most projects ship in one or two. A third round is available if the brief itself changes substantially mid-project.

### Do you work with live musicians?

Yes — when the brief calls for an instrument or vocal that doesn't sample-replicate convincingly. We've tracked guitar, sax, percussion, and vocal sessions in-house and can coordinate string or brass sessions on a case-by-case basis.

## Related work

- [PTCL — Dil Se — Connected by Purpose](https://elephantaudio.pk/portfolio/ptcl-dil-se/raw)
- [Pakistan Cricket Board — Khel Tou Ho Raha Hai — Tailor (National T20 2021-22)](https://elephantaudio.pk/portfolio/ho-raha-hai-6/raw)
- [Pakistan Cricket Board — Khel Tou Ho Raha Hai — Palmist (National T20 2021-22)](https://elephantaudio.pk/portfolio/ho-raha-hai-5/raw)
- [Rahim Pardesi — Inspector Bulla — Official Trailer](https://elephantaudio.pk/portfolio/pardesi-squad/raw)

## Studio

- **Studio:** Elephant Audio — Lahore, Pakistan
- **Founder:** Abu Bakar Zahid — Founder, Managing Director & Music Producer at Elephant Audio
- **Website:** https://elephantaudio.pk
- **Contact:** abubakar@elephantaudio.pk
