Original Music Production.

Every original starts with a clear brief: what should the audience feel in the first ten seconds, where in the film or campaign does the cue land, and which references the team is gravitating toward. From there we sketch musical ideas against the picture before we ever open a multitrack — the structure exists before the sound design does.

Production happens in-house across Logic Pro and Pro Tools, with a hybrid palette of orchestral sample libraries (Spitfire, Native Instruments) and live instruments tracked at the studio. When a track wants a real saxophone or guitar, we record it; sampled instruments fill the spaces where MIDI legitimately reads as the intended texture.

Revisions are scoped into the engagement: two rounds are standard, with a third available when the brief itself moves. Stems are delivered separately from the bounce so your colourist and editor have headroom for late changes.

The final deliverable is mixed at the platform's published loudness target (-14 LUFS for streaming, -23 LUFS for broadcast, -16 to -18 for theatrical) so nothing gets normalised down on Spotify or limited on broadcast.