Sound Design & Audio Post Production.

Sound design lives in two registers at once: realistic (what the world actually sounds like) and dramatic (what the audience needs to feel). A door slam in a thriller is engineered for emotional impact; a door slam in a documentary is engineered for honesty. We work both ways and tell you which we're choosing for each cue.

Foley is recorded at the studio when the scene wants its own footsteps, cloth, and prop layers — anything that needs to sync exactly to picture. Library work covers ambience and the longer effects beds; we curate from Sound Ideas, Soundly, and our own recorded archive so nothing in the final cut is from a free-tier pack everyone else is also using.

Dialogue is cleaned, de-noised where necessary, and pitched into the mix at conversational loudness. Where ADR is needed we coordinate the session and re-cut to lip-sync.

Final delivery is at platform-correct loudness targets and includes splits for the international M&E version so the show can be re-voiced without losing the soundscape.