Studio credit
Elephant Audio
Audio production · Sound design · Music production
LahorePKEngineering sound since 2018
Written for the people who commission audio rather than the people who make it — producers, agency teams and brand marketers deciding what to ask for, what it should cost, and what has to be in the file before it goes to air. No sales pitch, and no answer that only works if you hire us.
01Delivery reference-24 LKFS, -23 LUFS and -27 LKFS: which number your spot has to hit — and why Spotify's -14 LUFS is not one of them.
Read the guide
02DefinitionsThe terms get used interchangeably and they are not the same thing. What each one covers, and which one you are actually buying.
Read the guide
03Buyer checklistThe deliverables list to put in the purchase order, and the four questions that decide whether a late change costs an afternoon or a re-record.
Read the guide
04Decision guideWhen a library track is the right answer, when it is not, and the rights question that decides more of this than the creative one.
Read the guide
05Buyer guideWhat a composer needs from you, how to use reference tracks without accidentally ordering a copy, and the one line that changes the price.
Read the guide
06Cost referenceThe variables that move a quote far more than the length of the music, and how to get quotes you can actually compare.
Read the guide
07How it worksThe time-zone arithmetic, what an overnight turnaround actually buys you, and the two things that genuinely are harder from nine hours away.
Read the guide
08Buyer's guideWhat to check before booking a studio in Lahore, Karachi or Islamabad — and the questions that separate a room from a service.
Read the guide
09Buyer's guideNot a rate card — the seven things that move the number, so you can scope a budget before you ask anyone for a quote.
Read the guide
10Streaming referenceSpotify never rejects a loud master. It turns it down to −14 LUFS — here is what that costs, and when a quiet master cannot be lifted.
Read the guide
11Listening setupThin bass and a vague, wide centre usually mean one speaker's wires are swapped. How to hear it, confirm it in a minute, and fix it.
Read the guide
12Listening setupSix checks that find the faults people actually have — a dead side, swapped channels, reversed polarity, a rattle, a missing top end — and what each result means.
Read the guide
13Working with a studioThe handover that decides whether audio post runs smoothly: locked picture, the right export, separated production sound, and where the piece is going.
Read the guide
14Working with a composerThe session where a director and composer decide which scenes get music, where each cue starts and stops, and what it is doing. The decisions that cost the most if made late.
Read the guide
15Episodic productionSixty episodes is not one job done sixty times. Why each episode is measured on its own, why the M&E decides whether the series can be sold abroad, and what a phone speaker changes.
Read the guideDescribe the project in plain terms. We’ll tell you what it needs, including when the answer is that you need less than you thought.
Not sure which of these applies to your project? Sound design, scoring, mixing and mastering.
Studio credit
Elephant Audio
Audio production · Sound design · Music production
LahorePKEngineering sound since 2018
Last updated: