Skip to content
Elephant Audio
Guides

The answers before the brief.

Written for the people who commission audio rather than the people who make it — producers, agency teams and brand marketers deciding what to ask for, what it should cost, and what has to be in the file before it goes to air. No sales pitch, and no answer that only works if you hire us.

01Delivery reference

Broadcast and Streaming Loudness Specs for Commercials

-24 LKFS, -23 LUFS and -27 LKFS: which number your spot has to hit — and why Spotify's -14 LUFS is not one of them.

Read the guide
02Definitions

Sonic Branding, Audio Branding and Sonic Logos

The terms get used interchangeably and they are not the same thing. What each one covers, and which one you are actually buying.

Read the guide
03Buyer checklist

What to Ask For From an Audio Post House

The deliverables list to put in the purchase order, and the four questions that decide whether a late change costs an afternoon or a re-record.

Read the guide
04Decision guide

Custom Music or Library Music for Your Campaign

When a library track is the right answer, when it is not, and the rights question that decides more of this than the creative one.

Read the guide
05Buyer guide

How to Brief a Composer for a Commercial

What a composer needs from you, how to use reference tracks without accidentally ordering a copy, and the one line that changes the price.

Read the guide
06Cost reference

What Custom Music for a Commercial Costs

The variables that move a quote far more than the length of the music, and how to get quotes you can actually compare.

Read the guide
07How it works

Working With an Overseas Audio Studio

The time-zone arithmetic, what an overnight turnaround actually buys you, and the two things that genuinely are harder from nine hours away.

Read the guide
08Buyer's guide

How to Choose a Recording Studio in Pakistan

What to check before booking a studio in Lahore, Karachi or Islamabad — and the questions that separate a room from a service.

Read the guide
09Buyer's guide

What Music Production Actually Costs

Not a rate card — the seven things that move the number, so you can scope a budget before you ask anyone for a quote.

Read the guide
10Streaming reference

Is My Song Too Loud for Spotify?

Spotify never rejects a loud master. It turns it down to −14 LUFS — here is what that costs, and when a quiet master cannot be lifted.

Read the guide
11Listening setup

How to Tell If Your Speakers Are Out of Phase

Thin bass and a vague, wide centre usually mean one speaker's wires are swapped. How to hear it, confirm it in a minute, and fix it.

Read the guide
12Listening setup

How to Test Speakers and Headphones

Six checks that find the faults people actually have — a dead side, swapped channels, reversed polarity, a rattle, a missing top end — and what each result means.

Read the guide
13Working with a studio

What to Send a Sound Designer

The handover that decides whether audio post runs smoothly: locked picture, the right export, separated production sound, and where the piece is going.

Read the guide
14Working with a composer

Spotting a Film for Score: Deciding Where Music Goes

The session where a director and composer decide which scenes get music, where each cue starts and stops, and what it is doing. The decisions that cost the most if made late.

Read the guide
15Episodic production

Audio for a Series: Delivering a Season, Not an Episode

Sixty episodes is not one job done sixty times. Why each episode is measured on its own, why the M&E decides whether the series can be sold abroad, and what a phone speaker changes.

Read the guide

Still not sure what to ask for?

Describe the project in plain terms. We’ll tell you what it needs, including when the answer is that you need less than you thought.

Not sure which of these applies to your project? Sound design, scoring, mixing and mastering.

Studio credit

Elephant Audio

Audio production · Sound design · Music production

LahoreEngineering sound since 2018

Last updated: